Tuesday, February 26, 2019

US open music competition winners

It was an exciting week to see that my students who participated in this year's United State Open Music Competition have all won a place in their competing categories!! 

The awards include 1 Outstanding Gold Medal, 3 Gold Medals, 3 Silver Medals, and multiple bronze medals and 4th places! I am very proud of their achievements and am glad that their hard work and dedication are rewarded accordingly. 

This year, the competition has a new judging system that includes preliminary and final rounds. It was interesting to see how the first set of judges select the finalists, and the second set of judges decided the winners' ranks. The gold medalist received a cash prize and performed in the winner concert. Additional "Outstanding Gold Medal" was awarded to the best performance in a group of winners who performed in the winner concert.

My students who have attended the award ceremony shared some of these memorable photos with me. 

Sanyi Yao received the Outstanding Gold Medal and two Gold Medals. 








Esther Kim received Gold, bronze and 4th place medals. 






Logan Song received two Silver Medals. 



Congratulations to these young talented musicians, and thank you for making my teaching such a remarkable journey! 

Tuesday, January 22, 2019

2/9 CSUEB Piano Pedagogy Symposium

It is a great pleasure to present a workshop again for the CSUEB 2nd Piano Pedagogy Symposium! This year, the Symposium not only includes prominent pedagogues and performers, but it also extends from a half day to a whole day with four workshops, a panel discussion, and two master classes!

Please join us for this educational event! See detail info in the flyer.




Sunday, December 23, 2018

Workshops and a Master Class in 2019!

Greetings! It is a privilege to share pedagogical ideas with teachers. Here are a few of my scheduled events in 2019. I will update them with an individual link and announcement when the event draws closer.

Feb. 9, Sat, Curriculum Workshop, Cal State East Bay Piano Pedagogy Symposium
Feb. 13, Wed, Curriculum Workshop, MTAC Santa Clara Branch
Feb. 16, Sun, Master Class with MTAC Alameda Branch
June 28, Friday, Technique Workshop, MTAC 2019 Convention in Santa Clara

Merry Christmas and Happy Teaching in the New Year!

Monday, December 3, 2018

5 considerations when choose a method book

My pedagogy class has recently surveyed some wonderful and creative methods books for the beginners. However, when it comes to choosing the ones that suit and motivate our young students, what are the principles shall we consider?

Here are the five considerations:
  1. Age: A child, particularly younger than 6 years old, will probably draw to the books that are colorful with attractive graphics. I had a student who practiced significantly more because the method book is full of lovely and fun cartoon figures!
  2. Content: is the method book in an all-in-one format that includes theory, ear training, and repertoires? or it comes in separately like the lesson, technique, theory and supplementary materials? does the piece sound attractive? does the content layout look too busy or clear?
  3. Pace: some methods books progress faster than the others, and this is a determining factor for choosing a particular method for your student. Too fast pace may end up frustration and too slow lead to boredom. 
  4. Approach: does the book focus on position reading or intervallic reading or both? does the author emphasize a specific teaching idea? 
  5. Teaching and learning styles: does the method book seem to be in a logical order or approach to you? do you prefer your students to begin with black or white keys? on or off-staff reading? Is it a good fit for a visual or auditory student? 
There are tons of incredible methods in the market, here are just a very few methods books that I reviewed based on popularity, longevity and unique approach. The rote teaching methods were introduced in my previous blog

Alfred's Basic Piano Library: Moderate pace with intervallic approach to landmark notes. This series is probably the most popular one along with the Faber Piano Adventures.



Faber Piano Adventures: Slow to moderate pace. Comparing to Alfred's Basic Piano Library, this series progresses at a slower pace with more detail drills in each exercise/concept. Almost one-third of the primer book focuses on the off-staff and finger number reading.





Bastein New Traditions All-in-one Piano Course: Slow to moderate pace with detail/repetitive drills of each concept, addresses both position and intervallic reading with popular tune arrangements. Comes with fun and colorful drawings. Primer A is only for off-staff and finger number reading. Primer B starts staff reading with middle C.





















John Thompson's Modern Course For the Piano: Teaching Little Fingers to Play: Moderate to fast pace with colorful animal figures. Intervallic approach with an emphasis on "stepping up and down, then a skip." There is no off-staff reading. Moving hand positions, playing with hands together and crossing hands are included in this book.


Tales of A Musical Journey by Irina Gorin: Moderate pace with an emphasis on building fundamental techniques such as the firm fingertips, free moving wrists and arms by starting with strong fingers (3rd finger) first and non-legato playing. The book introduces the musical concept through a fairy-tale telling.



Poco Piano for Young Children: Similar to Tales of A Musical Journey, this method starts playing with the 3rd finger. Like its title, it is meant for children probably younger than 5 years old. Strong emphasis on staff line and intervallic reading with big colored staffs and notations. There is no off-staff reading.


Piano Discovery: Slow to moderate pace with pastel color art-work background and characters. The on-staff starter book centers on the notes of middle C position with step-by-step detail instructions. 



Happy exploring! 

Tuesday, October 30, 2018

Piano Pedagogy Practicum Class II for Teachers!

This "practicum" class offers a practical approach to teaching and is designed especially for piano teachers. In this class, the participants will receive in-depth information and solutions to common issues on specific topics and levels.

This class is the second one in the practicum series. It continues from the previous beginner and elementary and addresses some of the challenges and difficulties that students face when transiting from elementary to late elementary or intermediate level:
  • Learning obstacles that cause a student's progress to slow down or want to quit.
  • Struggle with playing up to tempo with good quality tone and control.
  • Technical aspects: fingers independency and dexterity, hands coordination, balance, playing chords with voicing, etc.
  • Teaching scales and arpeggios 
  • Reading and rhythmic counting issues
  • Musical phrasing and dynamic control
  • Effective pedaling
  • Memorization and practice strategies
Class information:
  • Siting limitation: each class will only accept 3-5 participants to better address individual concerns 
  • Class format: seminar with lecture and group discussion 
  • Length: 75 minutes 
  • Location: Sunnyvale studio, CA
  • Frequency: Four classes every two weeks. Participants will have the opportunity to review and experiment what we have discussed in the class.
Please contact me 408.675.9896 for detail information and enrollment. 

Monday, October 8, 2018

10/18 MTAC Los Altos Curriculum Workshop

It is a great pleasure to present another popular workshop of my: the Nitty-Gritty Comprehensive Curriculum Exams for the MTAC Los Altos Branch.

This session will share insights of two international programs (ABRSM and RCM) and the CM that help music teachers exploring their options and determining which CC is best suited for their studio teaching and students' level. Plus, strategies on teaching sight reading and ear training!

An editable comparison chart with an additional bonus handout will be available for teachers during the workshop! a simplified sample version can be downloaded here after the presentation.

Date: 10/18/2018
Time: 10 am
Location: Teachers' private home, member invitation



Monday, September 17, 2018

4 Study Plans that Ignite the New Academic Year!

Like my students, I am looking forward to the new academic year with excitement and the feeling of exploring the new adventures. Here are a couple of fun ways to bring my students up to the speed for the new semester!ignite
  1. Curriculum Exam: It helps your students and their parents know which level they are currently in and what to look forward to. It also requires students learning all aspects of music that includes not only playing pieces but also the theory, ear training, and techniques (scales, arpeggios etc.). There are many wonderful state and international (RCM, ABRSM) curriculum exams to choose from. When interview a new student who never took the exam before, it is important to consider both his/her musicianship and performance ability in order to place the student in an appropriate level. Here is my workshop on this topic, which compares a variety of Curriculum Exams, pros and cons, and how to help students preparing them. The Nitty-Gritty of Comprehensive Curriculum ProgramsNitty-Gritty of Comprehensive Curriculum Programs. It will be featured again on 10/18 for MTAC Los Altos Branch Program
  2. Events: There are adjudicated events and competitions that can definitely motivate your students learning! And some of them are in progressive levels 1-10 too. For busy parents and high school students, the online submission will be an excellent choice too, e.g: MTNA eFestival
  3. Recitals: It is important that students shall play at least once a semester to showcase their learning, particularly if the students do not wish to participate in the exams or events. In addition to studio recitals, check out your local teachers' associations for additional performing opportunities!
  4. Repertoires: The exams, events or your "theme recital" can be the guide for choosing the repertoires. I like to pick the repertoires that target both students' strongest and weakest areas to give them both pleasure and challenge. I also enjoy adding new composers' compositions into my teaching library. My recent ones are Lera Auerbach and Lowell Liebermann. Here is a wonderful blog by Dr. Jane Magrath on the subject! Choosing Piano Repertoires for your Student. 

Have a great start in the new academic year!!